NEW WAYS OF DOING NOTHING
KUNSTHALLE WIEN
June 27 - October 12, 2014
Robert Breer, Alejandro Cesarco, Etienne Chambaud, Natalie Czech, Oskar Dawicki, Edith Dekyndt, Mathias Delplanque, Heinrich Dunst, Gardar Eide Einarsson, Marina Faust, Claire Fontaine, Ryan Gander, Lasse Schmidt Hansen, Julia Hohenwarter, Karl Holmqvist, Sofia Hultén, Jiri Kovanda, Rivane Neuenschwander, George Perec/Bernard Queysanne, Superflex, Mario Garcia Torres a. o.
Productivity and growth are the philosophical premises of the present day. Working processes are being optimized to increase efficiency, working hours are being deregulated until the distinction between work and leisure time disappears. Artistic work seems to follow other criteria, but in this field too professionalization and self-optimization are on the rise. But what would happen if ‘doing nothing’ or ‘inaction’ were to become a source of inspiration for a refusal to produce? Is too much production a reaction to the fear of nothing or does the fear of nothing create overproduction? In art and cultural production as well as in production in general, to do nothing is to do something very important
New Ways of Doing Nothing devotes itself to a form of artistic production that opposes activity, doing and manufacturing and instead gives an affirmative slant to forms of doing nothing, of refraining or a tautology. Here, refraining from something not only leads to a critical moment but also a creative one. New Ways of Doing Nothing thus proposes a halt, a moment to stop, reflect, maybe do nothing, in response to the overabundance of new projects, ideas and information we are constantly confronted with. In a world structured and dominated by accelerated communication processes and exposure, New Ways of Doing Nothing questions the ‘status quo’ by its explicit refusal to participate and proposes a politics of radical passivity where a space for thought can possibly be liberated.
Curated by Cristina Ricupero and Vanessa Joan Müller